The Centro has published exhibition catalogues, poetry series and children’s books. It is also referenced in a number of publications such as Made in Aztlan: Centro Cultural de la Raza, Fifteenth Anniversary, among others. The list below is a sample:

• Maize poetry series

• Tula y Tonan children’s book series

• The Border Art Workshop, 1984-1989 Exhibition Catalogue

• The Broken Line/La Linea Quebrada

• La Frontera/The Border, Art About the Mexico/United States Border Experience

• Fragmentos de Barro

• Separate but Assimilated: Latino Immigrant Communities and their Museums

• Rebozos of Love

• Nationchild Plumaroja

• “Immigrants in Our Own Land”: A Chicano Literature Review and Pedagogical ASSESSMENT

• The Bronze Screen

• Postborder City: Cultural Spaces of Bajalta California

• Negotiating Performance

• Globalization on the Line: Culture, Capital and Citizenship at US Borders

• A Companion to CulturalSTUDIES

• The Fence and the River: Culture and Politics at the U.S.-Mexico Border

• Poor Dancer's Almanac

• Race and Politics: Asian Americans, Latinos, and Whites in a Los Angeles Suburb

• Mexicanos: A History of Mexicans in the United States

• The Ethnic Eye: Latino Media Arts

• Chicano Art Inside/Outside the Master's House: Cultural Politics and the Cara Exhibition

• Rethinking Borders

• The Expediency of Culture: Uses of Culture in the Global Era

• Hispanic Spaces, Latino Places: Community and Cultural Diversity in ContemporaryAMERICA

• Under the Fifth Sun: Latino Literature from California

• Anglos and Mexicans in the Making of Texas, 1836-1986

• More Adventures with Kids in San Diego

• Dimensions of theAMERICAS : Art and Social Change in Latin America and the United States

• Lonely Planet Coastal California

• Chicano Drama: Performance, Society and Myth

• The Latino Holiday Book: From Cinco de Mayo to Dia de Los Muertos: The Celebrations and Traditions

• Calling California Home, A Lively Look at What It Means to Be a Californian

• With Other Eyes: Looking at Race and Gender in Visual Culture

• From Totems to Hip-Hop: Poetry Across the Americas, 1900-2002

• Lowrider

• De Paseo: Curso Intermedio de Español

• Feminist Rhetorical Theories

• LOCAL Motion: The Travels of Chicana and Latina Popular Culture

• Barrio-Logos: Space and Place in Urban Chicano Literature and Culture

• Urban Exile: Collected Writings of Harry Gambia Jr.

• Breaking Boundaries: Latina Writing and Critical Readings

• Race-Ingo Art History: Critical Readings in Race and Art History

• A Hispanic View: American Politics and the Politics of Immigration

• Women Making Art: History, Subjectivity, Aesthetics

• CONTESTED Terrain: Diversity, Writing, and Knowledge

• Radical Media: Rebellious Communication and Social Movements

• San Diego: California's Cornerstone

• Contemporary Trends in Landscape Architecture

• Border Writing: The Multidimensional Text

• Celluloid Nationalism and Other Melodramas: From Post-Revolutionary Mexico to Fin De Silo

• MidAmerican

• O Solo Homo: The New Queer Performance

• Chicana Feminisms: A Critical Reader

• Reading California: Art, Image, and Identity, 1900-2000

• Space, Site, Intervention: SituatingINSTALLATION Art

• Other Sisterhoods: Literary Theory and U.S. Women of Color

• Shot inAMERICA : Television, the State, and the Rise of Chicano Cinema